A Formal Analysis of Metal Gear Solid 4
MGS4's Flashback Events juxtapose what we might call "dead images" (stills from previous games) with "live images" (the game in action). These Events work toward both narrative and associative ends, though the term "flashback" registers as a narrative technique. Some Flashback Events do serve narrative purposes, yet many identify MGS4's live images as iterations of the Saga's tropes.
The game's first Flashback Event works on this associative level. Old Snake salutes Big Boss's headstone, and pressing the X button unlocks a series of images of Big Boss saluting The Boss's grave at the end of MGS3. Were this Flashback Event purely narrative, it would mean that Old Snake is Big Boss (which is untrue). If we consider this Flashback Event as an associative gesture, though, then it identifies Snake as a stand-in for Big Boss – as Big Boss's proxy.
Flashback Events reveal a nervous system of Saga tropes and roles, identifying live images with dead images of earlier iterations of those patterns. They identify Snake with Big Boss, Raiden with Gray Fox, Ocelot with Liquid Snake, and Naomi with Emma.
Think of these tropes as anatomical blueprints whose outlines were drawn by previous games in the Saga. Each successive game builds upon the patterns of previous games by modifying its new iteration with other elements from previous games. We can glimpse a network of associations by tracing one such trope's genealogy: that of Snake's Outside Help.
MGS4 remixes all earlier elements of the trope by splitting it between
Raiden and Drebin. Drebin introduces himself as Gray Fox had, as "neither enemy
nor friend." He
also appears as one of Snake's "fans," given his fanboy enthusiasm for
supersoldiers. Raiden intervenes on the battlefield to give Snake radio intel
and protection. The whole force of the Outside Help and Resistance
tropes culminate here, and MGS4's Flashback Events direct the
audience's attention to the characters' iterations of those stock roles.
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